Exciting news I cant wait to share

Exciting times are coming....

I have some news I cannot wait to share with you all. For now, my lips are sealed but it won't be long till I can let you know.

To celebrate this news I will be running a giveaway competition via social media. So be ready for your chance to win you won't need to do much, just like, share and comment on my posts. Spreading the news by sharing, liking and commenting is really helpful for small businesses like mine. So simple yet so very helpful.

To be sure you get to hear my exciting news please make sure you're following me on social media, Facebook, Instagram, Twitter and LinkedIn.

If you haven't already please sign yourself up to my mailing list by clicking here. 

 

So excited this is going to be great, your going to love it. 

Sampling Swarovski® Cut Crystal

Sampling Swarovski® Cut Crystal

The Swarovski Crystals arrived, and Naomi has been exploring them in her studio for the last three months. She learned a lot about the Crystal through her experiments. Having had challenges with the material she continued and found a way of creating a small vessel form in the style of her working. 

Glass Network Magazine

Glass Network 

 

JACQUES_N, Gradients (another view of) 11w x 4h cm. 2017. Photo N.Jacques.jpg

My quarterly magazine break arived yesterday and I enjoyed reading it as I always do. 

Full of inspiring artists stories, how to apply for council awards, book reviews, meetings forthcoming and past. I enjoy reading these quarterly magazines as they keep me focused and determined to succeed.

I applied and was accepted to exhibit my work in the Vessel Exhibition at the Vessel Gallery in London for a fundraising event organised by the Contemporary Glass Society.                                     

I was especially pleased to see my Vessel in the Portfolio section after the VESSELS @ VESSEL review by Katherine Coleman. 

Her review is brief and to the point. Listing the visitors favorite 'Old Bean Can' by Rachel Mary Elliott. I can see why. The skills and talent involved in making this glass tin can with a few glass beans in is fabulous and fun. 

All this feedback and articles I read, in this magazine and others alike, whether it be about my work or not it all helps my understanding of what is liked and more importantly appreciated. It shows I'm on the right path as my image of my work was selected to be printed. 

I am pleased to see my work alongside these fabulous glass artists and I will continue to support the CGS when ever I can do. 

JACQUES_N, Gradients (detail) 11wx4h cm, 2017, Photo N.Jacques.jpg

With special thanks to Pam Reekie at the Contemporary Glass Society for keeping all the artists informed and up to date.  

N.JACQUES_2017_GRADIENT.jpg

Glass Network - Sponsored by Creative Glass - The CGS quarterly Magazine Issue 65 / September 2017 - ISSN 1476-9247 - www.cgs.co.uk - 

New Designers OYO Part 1 2017

One Year On - Part 1 2017 with Naomi Jacques 

Detail Touch of Pink ©Naomi Jacques 2017

Before the show.

I remember applying for New Designers One Year On, and thinking should I apply for the opportunity to exhibit? If you don't try you'll never know! So I did. I took the chance, I applied and I was accepted to exhibit.

Before_ND_OYO_PART_1_N.Jacques
SETTING_UP_ND_OYO_2017_N.Jacques

Being a glass artist and knowing that the previous years glass had been on the decline in the One Year On shows, it was a long shot. So my advice to you if your a year on in a creative business, APPLY, you never know what could happen unless you try, even if you think you wont get a look in. Do it anyway you might be pleasantly surprised. 

PR is something I was not very confident in and I am still learning. The team behind and supporting New Designers work so hard getting your images and news to the right readers. Be organised with your news and images ahead of the event. You'll need strong images that speak for the work you make. I was pleased to see my images be selected by Aesthetica Magazine, Design Curial - good images get used. Invest in your photography as soon as possible. 

It was a pleasure to work with Rheanna Ingram, One Year On curator, her experience, knowledge and her approach was friendly, to the point and extremely helpful. 

Patricia Van, from the Design Trust, a wonderful women with a vast amount of knowledge. All the OYO's were invited to join two webinars with Patricia, these were fabulous. Everything a new business needs to know and more. Invaluable resource for sure. 

Also I would like to mention Beth from Upper Streets Events. She kept us all in the know via regular emails. I appreciated all her help and information from the start right till the end. 

During the show.

ND_OYO_N.JACQUES_2017

I am pleased to say this year I was one of three contemporary glass artist, Mari Fisher, Alice Heaton and myself. All with different specialisms.

Mari explores the fluidity of hot glass via kiln forming techniques making colourful sculptural forms using gravity and heat.

Alice works in the hot shop creating beautiful forms and radiant colours that appear to have been painted on inspired by many colours.

As for me I use kiln forming processes to make delicate sculptural works that have been inspired by broken becoming beautiful. We three are still very much in contact and hope to work together in the future and plan exhibitions to showcase all our differences. 

 

After the show.

Reflecting back on my time at OYO the one thing I would have done differently would have been to bring a friend or colleague whom you can tag team with - by that I mean share the stand time with, so you can have regular breaks, eat and drink well and so on. The first few days of the actual show are long and hard going - if you think exhibiting with your university was tough, then doing OYO alone will take it out of you big time! Take help and support from your family and friends. This is a big show, people are visiting all day long, get your stand covered at all times. Yes, your neighbours can be there to help, but they need breaks too. 

I kid you not it has taken a week (plus) to recover from the physical and mental exhaustion of OYO.

My time post show has been spent following leads and contacting everyone who I spoke to on my stand at OYO. This is by far the most important thing to do, and I believe we as creatives find most challenging. 

I have made so many new connections with professionals, fellow makers/designers and I have made friends.

For now I am looking into Artist In Residence schemes, AA2A and Inspire programs. I am working with new materials with the possibility of being sampled by one company (found at ND OYO).

© Naomi Jacques, 2016, Shards.jpg

As well as running community workshops locally for all ages and abilities. I enjoy teaching kiln forming processes. I find it so rewarding when a person lights up with delight to see what they themselves have made. Glass is a medium that can be taught to all ages and abilities when delivered safely. 

Thank you to everyone who made my time at New Designers OYO 2017 so special and rememberable. Thanks to Rheanna, Patricia and the Upper Streets team for making this whole experience a successful one. A special Thank You also to my family and friends for all your support before, during and after this amazing show. I could not have done it with out you all. 

 

Location Photoshoot in Lichfield

On Location at Existent's Office in  Lichfield to photograph my sculptural vessels on some wonderful contemporary furniture.

It is nice to be able to see the works in situ in this way. I hope these images will enable you to see how these pieces would sit in your home or office. 

The reflections and glows of these pieces are so difficult to truly capture. It is lovely to have them shown on other surfaces than that of my photo studio. 

Light refracting and reflecting making these sculpture appear like crystal and diamonds. 

With special thanks to Paul for allowing Jacqui and I to use the Existent office to photograph my new collection of works.

destruction/construction

Destruction/Construction

 

Online exhibition with Contemporary Glass society to which my 'Shards' piece has been selected to be shown. 

The theme of this exhibition is Destruction/Construction. This theme is apt to my practice as I explore these very elements through my work in physical and mental terms. 

Broken glass (frit) is used in all of my works. The idea being that broken can be beautiful and strong once again. 

Take a look at the 30 artists chosen to exhibit online with GCS

http://www.cgs.org.uk/exhibitions/destructionconstruction